African Wild Dog, 2023.
Trout Tides, 2024.
Welcome.
The Oregon Project in Process, Australia, 2023.
Glass Painting of Tiger head, 2023.
Seadragons, 2023.
Ode to Rennie (installed in Jarrah Frame), 2023
Protea Door, 2022.
Jellyfish, 2022.
The Guardian, 2024.
Completed Dragonflies, 2023.
Pridelands, 2023.
Since 2016, stained glass has been the planet by which australian-born Hannah gregory wakes and sleeps. Gregory has trained, worked, studied and travelled extensively in The United Kingdom, Europe, Australia and the United States of America to acquire a comprehensive and contrasting repertoire of both medieval and innovative, new skills and techniques to working with Stained Glass. in particular, she is drawn to surface treatments of traditional glass painting techniques, etching, engraving and lead based creating.
returning from two years as the international artist in resident at swansea college of art, gregory currently lives in cervantes, w.a. She enjoys working on both architectural commissions and experimental autonomous works.
Her work can be found in architecture and private collections across the world.
Gregory has been awarded grants from the Australia Council of the Arts, The International Specialised Skills Institute, The Western Australian DLGSC and The American Glass Guild and has attended residencies in Wales, Austria, Australia and The United States of America.
You can contact hannah via the enquiry form on the menu above, via email at hannahmaling1949@gmail.com or on INstagram: @badassstainedglass
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With ‘Ode to Rennie’, 2023.
Not all that Glitters, 2023.
Leopard, 2023.
Mother Underwater, 2023.
Fox glass painting in Progress, 2024.
Stunned Silence, 2024.
Library Wagon in Progress, U.K, 2020.